her eyes never left his face, fixated on him like he was on the moon. one could assume that artemis might show up any minute and slap him so hard across the face he saw pegasus’ running circles round his head. but it wasn’t artemis or the moon he was thinking about, it was some damned topic that he wouldn’t share with her for anything. and they shared everything. but now wasn’t the time to pry about that. they’d had such a great night so far. sneaking around the camp like they owned the place - and they did practically own the place. her own thoughts stopped when she watched his hand travel over his scar, brows furrowed and she sighed. he was thinking about THAT again. “luke…” she murmured, the hand closest to him raising to cover his own. cautiously trailing her index finger behind his over the raised skin. she thought it was noble, beautiful even. a reminder that even though they were half god - they were all still very mortal. it was poetic and not about his failure at all. “alright… a little longer…but if we wake up the entire cabin you’re taking responsibility for the ‘talk’ this time. and you know how much mr. d likes talking about the birds and the bees.” the silence falls between them again, and she thinks maybe he’s so lost in thought in thought this time it would slip right out - “whatcha thinkin’ bout ???”
her touch is enough to make him drop his hand, stomach churning at the thought of being caught in such a private inner moment ( but all his moments are private, now — shared only between luke & the other ; the one who preyed upon him ; the one who is right & who is going to fix all that is wrong with the current status quo ; the one who is going to get his family back ). a flash of hot irritation aimed at himself (careless boy! )& a slight twist of his shoulder, as if to move himself away from liz ( he’s just going to end up hurting her ). boys like him aren’t built for happiness ; they’re built for pain & anger & fear & destruction ; they’re cataclysmic ; they’re crimson — if they don’t have a war to fight in, they’ll make it themselves. their bodies are weapons, honed for mass-destruction ; slaves & soldiers to the fight, the only thing they know, their only stability. happiness is not to be found in luke castellan’s short life : he knew that when he was nine & he ran away from home ( from his mother ; from the only person he cared about ), leaving her to her own madness ; he knew that when he was fourteen, & the girl with whom he’d chanced something was betrayed by her father, dashing the hopes he’d so dared to raise. & he knows that now, sitting here with a redheaded girl next to him, his brothers & sisters & other indiscernible relations asleep in the same room. no ; luke castellan has long known he is not destined for happiness ( he’s destined for something more).
❛ i’m thinking about — ❜ how he won’t sleep tonight ; how he’s going to start it all ; how things are going to be different ; how, if he can’t be happy, he can at least be important. ❛ — the weather. in camp. it’s always sunny … not much use for practising real fights. ❜ fights in rain, hail, snow, sleet, mud ; fights covered in blood ( not yours, not the enemy’s, but your friend’s ) ; fights where you know you’re going to die but you have to keep going because you’re a warrior; you’ve been taught not to give up even though you know it’s futile ; even when you know the lines between brave & stupid have been blurred & you’re no longer sure which is which. no ; the conditions at camp have never been accurate. ❛ just seems … an oversight. ❜ the entire camp not noticing something is wrong with the cabin eleven counselor is an oversight.
WHERE ARE YOU FROM?
i'm from australia! melbourne, australia, to be specific. my timezone is aest, or gmt+10/11 IS THIS YOUR ONLY BLOG?
no --- i have about 11 of them at any given time, though i bounce around a lot depending on my muse HAVE YOU PLAYED LUKE BEFORE?
i've been playing him for about 7 years now on and off. my first indie foray into him was on cxstellan in 2014 DID YOU MAKE YOUR THEME?
nope! it was made and coded by bria ( @maryjne ) for me only. she also made my dash icon, header, and psd! DO YOU DO MAINS AND EXCLUSIVES?
yes. hit me up if you're interested and we can discuss things ARE YOU CANON DIVERGENT?
mostly, yes. but i do try to stick to canon where possible
001: MUN
ink, 23, aest. talk to me about greek mythos or oscar wilde & i am yours.
002: BASICS
mun 21+ &muse 18+
slow replies!
multi-verse/multi-ship
don't godmod
basic rp etiquette applies
icons & graphics all mine.
003: INTERACTIONS
this is a selective & private blog, meaning i interact with mutuals only. this is because this blog is low-priority, & i only want to rp with people i know want to rp with me. however i am not obligated to follow everyone back, & reason for me not doing so are usually : not cutting posts/rp'ing through reblogged asks/no knowledge of your character's fandom. but never be shy to hit me up or like a starter call or send in a meme or reply to an open if we're mutuals!004: TRIGGERS
my own triggers are self harm and i have it blacklisted. i am okay with it in the written form, but i get triggered very easily with it in the photographic form. i will always tag triggers such as blood, gore, etc as ‘____ tw’. if you have a specific trigger, let me know so i can tag it accordingly.
005: SHIPS
i play luke as panromantic pansexual & i ship him romantically with pretty much everyone aside from annabeth ( & even then i ship them occasionally ), & thaluke is my otp. however i will not automatically ship him with every incarnation of those characters that come my way - so if you don't ship them, don't worry! i am also an absolute s u c k e r for platonic relationships, so hmu!!!006: REPLIES
i am slow!! please understand this! i have multiple blogs, a job, & am currently studying a masters at university. a lot of the time even if i am online, my muse doesn't want to co-operate. please do not push me for replies ; please also note that it may take a long time for me to respond to threads or memes.
007: MEMES
send memes absolutely whenever!! they can be super old ; just send them! sometimes, however, i lose muse for a meme & may not respond to it - this doesn't mean i'm ignoring you! just send another meme ; send all the memes!! also, feel free to respond to any of the memes ; all i ask is that you start the response in a new post!008: PLOTS
don't hesitate to message me if you have a plot of any kind! especially aus - i'm always down for aus.
009: DISCLAIMER
i have no affiliation with jake abel or rick riordan. as of march 15, 2017, the theme, dash icon, header, & icon psd are all courtesy of bria ( @maryjne ) because she's too good to me. any other graphics are mine unless otherwise stated.
luke never acted on his thoughts of betrayal ; the five-year-long battle between he, his friends, & the deities never happened ... but kronos did. luke is balancing his life at camp half blood with the outside force that is the titan kronos. secretly, luke is tormented, fighting his own battle, & has been for years. but he hasn't given in ; not yet. he's family to think about.
luke died when he stabbed himself that fateful day, but so too did everyone's hatred of him. the gods made peace with their demigod children, & new cabins were built at camp half blood. everything was fine - until luke appeared again. a bargain made between hermes & hades, luke was given another shot at life ; at redemption. he knows the trouble he's caused ; knows nothing will be the same, & he's plagued endlessly with the guilt of all the deaths he's caused. but he's trying. he's trying to be the person that annabeth always knew he was.
luke's final act was kronos' undoing, but it wasn't his. the demigod didn't die but instead merely banished kronos back to the depths of tartarus from which he came. luke spent a long while trying to piece together the damage he had caused ( a lot of which he couldn't remember )& eventually he was allowed back in camp as though nothing had happened - something he's grateful for. he's back to being his old self: hurting still, of course, but no longer as angry as he used to be. he's luke ; camper, counselor ( the stolls were happy to give him back his role )& forgiven traitor.
follows the sea of monsters, the the titan's curse&the battle of the labyrinth. shows luke's slow descent into absolute possession, as well as all the internal thoughts riordan never showed.
hows luke's life from his immediate arrival at camp, to just before percy's own arrival. deals with luke's feelings of neglect, & how kronos preyed on that.
brought back purely for help during percy's disappearance, luke not only has to gain everyone's trust once more, but he also has to show his worth, & see the calamity that a war can bring on - even one that happens between two opposing camps of demigods. he is firmly camp half blood, but will he be accepting of those from camp jupiter, or will he be prejudiced?
luke is a sixth-year slytherin ; not a pureblood, but he's so charming that people tend to forget how he is the product of a pureblood male consorting with a destitue & mentally unstable muggle woman.& it is very much something luke doesn't want people to remember. he doesn't want others knowing that his father left at the first possible moment ; doesn't want anyone drawing parallels between him & another not-so-pure slytherin. he's both keeper & captain of the quidditch team, & highly skilled at it. if all goes well, he could turn professional after hogwarts.
luke isn't the first troubled teen xavier's school has taken in, & he certainly won't be the last. with powers that allow him to speak any language at all, & to open any locked device, he spends a lot of his times eavesdropping & causing mischief where possible. but he is still susceptible to magento's ideology, & when left alone with his thoughts, tends to find himself wondering about who he really believes in ; who is right. can mutants & humans really live side-by-side, or is it time for the mutants to stand up & have their time in the light?
EYE COLOUR. sapphire blue. HAIR COLOUR. sandy blond. HEIGHT. 6'1" exactly. TATTOOS + PIERCINGS. none. NOTABLE TRAITS. ugly scar on the right side of his face, white streak in his hair (verse-dependent), disdain for his father, occasional thousand-yard stare, skilled in combat - particularly with a sword, very charming, lithe, agile, & well-built.
phobias & disorders
PHOBIAS. being forgotten ; not being loved. DISORDERS. insomnia ; ptsd; adhd; dyslexia. WHEN WAS THIS DIAGNOSED. never officially.
stats
MBTI: ENFJ - The Protagonist. ENFJs are natural-born leaders, full of passion and charisma. Forming around two percent of the population, they are oftentimes our politicians, our coaches and our teachers, reaching out and inspiring others to achieve and to do good in the world. With a natural confidence that begets influence, ENFJs take a great deal of pride and joy in guiding others to work together to improve themselves and their community. ENNEAGRAM: TYPE 8 - THE CHALLENGER, with 7 wing, THE ENTHUSIAST. sexual variant. Eights are essentially unwilling to be controlled, either by others or by their circumstances; they fully intend to be masters of their fate. Eights are strong willed, decisive, practical, tough minded and energetic. They also tend to be domineering; their unwillingness to be controlled by others frequently manifests in the need to control others instead. MORAL ALIGNMENT: TRUE NEUTRAL. True neutral characters are concerned with their own well-being and that of the group or organization which aids them. They may behave in a good manner to those that they consider friends and allies, but will only act maliciously against those who have tried to injure them in some way. For the rest, they do not care. They do not wish ill on those they do not know, but they also do not care when they hear of evil befalling them. Better for others to suffer the evil than the true neutral and his allies. If an ally is in need, the true neutral will aid him, out of genuine love or because he may be able to count on that ally a little more in the future. If someone else is in need, they will weigh the options of the potential rewards and dangers associated with the act. If an enemy is in need, they will ignore him or take advantage of his misfortune.
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